“Tarasque” was named after a fierce mythical water-dragon from medieval southern France. This reptilian creature breathed fire, burning houses and terrifying villagers, until it was finally tamed by Saint Martha—who supposedly quenched its fire with holy water. This piece is imagining the dragon waking up again, curious and a bit confused at first, but gentler now, after having been pacified. “Tarasque” is a piece about exploring new beginnings and the idea of rebirth, and of finding balance— awaking to a new day, and a fresh start.

It was an enjoyable challenge to create this work, having the opportunity to explore some of the many different colours, textures, and possible combinations of sounds inherent in this mix of traditional Chinese and classical Western instruments.

“Tarasque” was commissioned by Vancouver-based erhu player, Lan Tung, with the Sound of Dragon Ensemble, in Vancouver, BC, Canada, and its creation was funded with the generous support of the Canada Council for the Arts.