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Stopping pour deux vibraphones
RSN:
68691
|
Composition Date:
2006
|
Revision Date:
2014
|
Duration:
00:09:00
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Library Record
Programme Notes
Cataloguing Information
Call Number
MI 7110 A568st
Genre
Percussion Solo / Small Ensemble
Material Type
Print-music
Acquisition Date
2014-05-05
Preview
Master Location
Toronto
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (11 p.) ; 28 x 43 cm.
Instrumentation
Found 1 record(s)
Available Actions
Set No.
Category
Instrument
Number
48207
Percussion
Vibraphone
2
Divided
No
Solo
No
Premiere
9 September 2006, Royaumont Abbey, France Les Percussions de Strasbourg
See Also
68692, Stopping, AR3155, Samuel Andreyev, 00:09:31
The unusual instrumentation of two vibraphones was chosen as an ideal way of treating attack, resonance and the cessation of sound in detail. As much emphasis is placed on the precise way each sound ends as the way it begins. In a larger sense, this mode of listening is present in the overall discourse of the piece. The gestures and figures of Stopping are all strongly inclined to their own dissolution; yet, a strategy for the continuation of the piece is always present. Stopping contains sudden proliferations of seemingly alien material, which are just as likely to disappear as to dominate. This tension between continuation and cessation forms the crux of the piece.
J’ai choisi l’effectif de deux vibraphones afin d’explorer de manière détaillée larésonance et la cessation des sons. Les terminaisons des sons sont aussiprécisément indiquées et differenciées que leur commencement. Cette modalitéd’écoute s’impose également au niveau global de la pièce. Les gestes et figuresde Stopping s’inclinent fortement vers leur propre dissolution, bien qu’unstratagem pour la continuation de la pièce ne soit jamais absent. Cette tensionreprésente la pierre angulaire de la pièce.
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)