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Raga Terah for flute quartet and keyboard or tape
RSN:
66561
|
Composition Date:
2012
|
Revision Date:
N/A
|
Duration:
00:08:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 5245 C473ragt
Genre
Woodwinds, + Keyboard, Misc. Quartets, Similar Instruments
Material Type
Print-music
Acquisition Date
2012-07-05
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
5 parts ([23] p.) ;
1 score (33 p.) ;
Instrumentation
Found 4 record(s)
Available Actions
Set No.
Category
Instrument
Number
42512
Woodwinds
Flute
4
42513
Woodwinds
Flute
4
42513
Keyboard
Piano
1
42512
Electronic
Tape / Fixed media
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Raga Terah is a companion work to my earlier quartets: Raga Gyarah, Raga Das, Raga Cha, and Raga Saat. It is not based on an authentic Raga, but rather attempts to emulate the spirit of a raga through the use of various extended flute techniques. It is repetitive and meditative in character. Raga Terah is in 13/16 time. ‘Terah’ is the English translation of the number thirteen in Hindi. Similar to the other Raga flute quartets, Raga Terah plays with several polyrhythmic patterns that define the rhythmic flavour of the piece. Flutes 3 and 4 act an isorhythmic talea, perhaps imitative of the tabla. While the other two voices provide melodic figurations. Many sounds are created with a technique whereby the flutist must enunciate the word ‘cha’ to produce the desired ‘toneless’ and rough sounding effect. Keyboard Part: A keyboard part is included as a drone in this work. This can be performed live, or it can be pre-recorded. Three files are included with this work: (1) keyboard.wav file with the pre-recorded keyboard file (44.1 kHz, 24 bit) (2) click.wav mono file with the click track (3) keyboard.mid with the keyboard midi file. (1) keyboard.wav audio file can be played from your favourite computer DAW. click.wav file with the click track is included that lines up at 0:00 with the sound track. Using this click track is highly recommended. (2) keyboard.mid generic midi file can be imported to your favourite computer DAW. Using a click track is highly recommended. There are two substantial benefits to this version: (a) using the midi file in a DAW allows you to adjust the tempo, and (b) you can use any keyboard sound you wish. (3) Of course, you can simply use a CD recording of the keyboard part. But this may be tricky to coordinate. I highly recommend options 1 or 2.
Found 11 record(s)
1
2
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Calgary
06CA66561
In Circulation
-
1
Vancouver
01VA66561
In Circulation
-
1
Calgary
08CA66561
In Circulation
-
1
Calgary
03CA66561
In Circulation
-
1
Calgary
04CA66561
In Circulation
-
1
Montréal
01MO66561
In Circulation
-
1
Calgary
07CA66561
In Circulation
-
1
Toronto
01TO66561
In Circulation
-
1
Calgary
02CA66561
In Circulation
-
1
Calgary
01CA66561
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)