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Reson I for string quartet and 8-channel audio signal processing
RSN:
72836
|
Composition Date:
2016
|
Revision Date:
N/A
|
Duration:
00:15:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9203 R128re1
Genre
Chamber Ensemble (2-9 Performers) with Electronics / Multi-Media, Bowed Strings
Material Type
Print-music
Acquisition Date
2017-08-08
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Movements
Five movements:
I. Resonancia liquida
II. Resonanz erschüttert
III. Resonantia diabolica
IV. Risonanza macchinazione
V. Résonance interne.
Preview
Commissioned By
Penderecki String Quartet
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
Parts
Score
Instrumentation
Found 4 record(s)
Available Actions
Set No.
Category
Instrument
Number
53016
Strings, bowed
Violin
2
53016
Strings, bowed
Viola
1
53016
Strings, bowed
Violoncello
1
53016
Electronic
Other electronic
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
Winnipeg Eckhardt-Gramatté Hall, University of Winnipeg 14 Oct 2016 Penderecki String Quartet / GroundSwell
Reson I is the first in a series of pieces that continues my research and writing involving resonance as both a physical, acoustic phenomenon as well as a metaphorical concept. Resonance is, of course, at the heart of the acoustic reality of acoustic musical instruments as well as the spaces in which music and sound of all types and genres are experienced. The study of resonance through filters, physical modeling, and virtual and architectural spaces has provided valuable insight into the sonic world we inhabit and for which sonic artists create. Reson I takes resonance as its point of departure and as its conceptual framework with the objective of linking the acoustic resonant characteristics of the instruments of the string quartet with electronic processes and procedures as well as with the spatial design of both instrumental and loudspeaker-diffused processing. The spectral and resonant characteristics of the instruments, activated by bowing or plucking a string that resounds within a semi-confined container before propagating outward, provide a point of departure and a variety of models for the creation of musical materials and concepts as well as for the development of electronic processing of the instrumental signals. Combining and contrasting the “local” resonance of the instruments with the “global” resonance of the overall system (instruments plus live electronic processing plus the acoustic of the performance space) serves as a principle dramatic and structural force in the piece. The piece consists of five sections: Resonancia liquida, Resonanz erschüttert, Resonantia diabolica, Risonanza macchinazione, and Résonance interne. Reson I was commissioned by the Land’s Penderecki String Quartet.lr
Found 15 record(s)
1
2
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Toronto
02TO72836
In Circulation
-
1
Calgary
05CA72836
In Circulation
-
1
Toronto
03TO72836
In Circulation
-
1
Calgary
03CA72836
In Circulation
-
1
Calgary
04CA72836
In Circulation
-
1
Vancouver
03VA72836
Being Labeled
-
1
Calgary
02CA72836
In Circulation
-
1
Calgary
01CA72836
In Circulation
-
1
Toronto
04TO72836
In Circulation
-
1
Vancouver
02VA72836
Being Labeled
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)