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Emerge for woodwind quintet [for horn, flute, clarinet, oboe and bassoon]
RSN:
55792
|
Composition Date:
2003
|
Revision Date:
N/A
|
Duration:
Not Provided
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 5151 R521eme 2003
Genre
Woodwind Quintet (Flute / Oboe / Clarinet / Horn / Bassoon)
Material Type
Print-music
Acquisition Date
2006-01-05
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Wind quintet: flute, oboe, clarinet, horn, bassoon. Score in C. Photocopy; master of score and parts at CMC Toronto.
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
1 score (ii, 25 p.) ; 28 cm.
5 parts ([24] p.) ; 28 cm
Instrumentation
Found 5 record(s)
Available Actions
Set No.
Category
Instrument
Number
27679
Woodwinds
Flute
1
27679
Woodwinds
Oboe
1
27679
Woodwinds
Clarinet
1
27679
Brass
Horn
1
27679
Woodwinds
Bassoon
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
July 2003, Stockey Centre, Parry Sound, ON; Festival Winds
See Also
60397, Inundation, AR2526, Abigail Richardson-Schulte, 00:14:18
This wind quintet was commissioned by the Festival of the Sound, in Parry Sound, Ontario, for a concert called
Painted Sound
. This piece is inspired by the painting
Watermusic: The Fireflies Tribute
by Wendy Hoffman.
The painting itself is tranquil and serene yet also brimming with energy. I tried to bring out that sense of stillness with a feeling of suspended motion while allowing more active lines to emerge in the texture. The structure of the piece is linked to different layers of the painting. While looking at this work, I found myself visually sinking into the different layers, moving from the whole to focusing on its smallest parts. The painting has a vertical expanse of trees and is outlined by water and sky, creating a clear vertical limit. This sense of vertical, and the idea of looking at the whole, became the structural idea for the music. There is a recurring static texture of low bassoon and high flute to represent the painting as a whole. Lines emerge from within this texture to lead the music in a new direction, almost as if focusing on the different layers of the painting yet always returning to the whole. An interesting twist to the painting is that it is actually a reflection in the water. In essence, it is upside down. There are several moments in the music which pay tribute to this feature, as the high and low parts are switched around a central point. This piece aims to integrate the idea of the painting rather than a literal recreation of specific surface elements. The colour, texture, and mood of the painting, which is evocative of magic, all contribute to the music. Lines come out and disappear, giving the piece its descriptive title:
emerge
.
Found 24 record(s)
1
2
3
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Montréal
02MO55792
In Circulation
-
1
Vancouver
06VA55792
In Circulation
-
1
Calgary
03CA55792
In Circulation
Available for Loan
1
Montréal
06MO55792
In Circulation
-
1
Calgary
04CA55792
In Circulation
Available for Loan
1
Vancouver
05VA55792
In Circulation
-
1
Calgary
02CA55792
In Circulation
Available for Loan
1
Calgary
01CA55792
In Circulation
Available for Loan
1
Toronto
04TO55792
In Circulation
-
1
Toronto
02TO55792
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)