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here, today for bass clarinet, strings, and handheld recording devices
RSN:
72459
|
Composition Date:
2017
|
Revision Date:
N/A
|
Duration:
00:09:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9213 J321her
Genre
Works with Electronics / Multi-Media, Chamber Ensemble (2-9 Performers), Woodwind(s), Bowed String(s)
Material Type
Print-music
Acquisition Date
2017-04-26
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Commissioned by: Muneaki Tsuda "Other electronic" instruments are handheld recording devices used by bass clarinetist and string quartet.
Master Location
Toronto
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
Score
Instrumentation
Found 5 record(s)
Available Actions
Set No.
Category
Instrument
Number
52601
Woodwinds
Clarinet
1
52601
Strings, bowed
Violin
2
52601
Strings, bowed
Viola
1
52601
Strings, bowed
Violoncello
1
52601
Electronic
Other electronic
5
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
17 March 2017, Yodobashi Church, Tokyo, Japan Ryuta Iwase, bass clarinet; Lorie String Quartet (Takeru Chikenji, violin; Kei Sakoda, violin; Kaito Ikeda, viola; Yui Hosoi, violoncello)
See Also
72428, here, today, AR3316, Daryl Jamieson, 00:09:48
Our perception of the world is increasingly indirect, filtered through the media of audio and video recordings, as well as photography. Which recordings or pictures we see or hear are also increasingly filtered through social media algorithms that few of us understand or even know exist at all. Instead of a shared reality, or even a shared unreality, we more and more have our own individual realities which we believe to be real but which are not recognised by anyone else. This situation has had, and will continue to have, obvious and disastrous effects on our body politic, which relies on a shared reality in which we can ground our collective decisions about society and the environment. here, today is a piece about reproducing and sharing information about the environment. The string players share recordings of their local environment (made on the day of the performance), and most of the first half of the piece is recorded by the clarinetist and played back in the second half. The decisions of each performer and the composer, as well as the limitations of the recording and playback devices used, all affect what sounds are heard in the hall. Each performance will be different, and each listener in each performance will hear a subtly different piece. Are any of the myriad versions a true reflection of reality?
Found 3 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Vancouver
01VA72459
In Circulation
-
1
Toronto
01TO72459
In Circulation
-
1
Calgary
01CA72459
In Circulation
-
1
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