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Breathe on me For accordion (with vocalizing), video/audio files, and realtime Max/MSP/Jitter processing
RSN:
63977
|
Composition Date:
2004
|
Revision Date:
N/A
|
Duration:
Not Provided
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9101 P961br
Genre
Solo Keyboard with Electronics / Multi-Media
Material Type
Print-music
Acquisition Date
2011-01-17
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Accordion and audio/video clips, with vocalizing and realtime Max/MSP/Jitter processing. Recording: Elektrologos, ConAccord label
Master Location
Toronto
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (15 p.) ; 22 x 28 cm.
Instrumentation
Found 2 record(s)
Available Actions
Set No.
Category
Instrument
Number
35204
Other
Accordion
1
35204
Electronic
Computer / Live Electronics
1
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
August 7, 2004 The Longhouse Vancouver Joseph Petric, accordion Performance was part of the Vancouver Festival's Accordion Day
Breathe On Me takes its inspiration and name from the words of an old hymn. Written at the request of Joseph Petric, this piece presents a musical opposition of sparse, linear gestures in the outer sections with highly synchronized, rhythmic playing in the interior. This is complemented by changes in the harmonic and rhythmic language of each section, gradually thickening as the climax of the piece approaches. Visually the piece combines close-ups of skin textures and decorations, while spiritually this is an Easter piece, exploring the Spirit Descending, Crucifixion, and Transformation.
Visually the opening section (Spirit Descending) contains a two-part visual canon of smoke and processed smoke, a three-part canon of a body curve, and a two-part canon of skin textures. The middle section (Crucifixion) gradually moves beneath the skin, through the use of skin textures, scars, welts, tattoos, and piercings. The long closing section (Transformation) has a number of visual canons as well, finally uniting several images in a symbolic gesture.
Throughout the piece the performer controls various audio and video processes through the use of Max/MSP/Jitter patches.
Breathe on me breath of God Fill me with life anew That I may love what thou wouldst love And do what thou wouldst do.
E. Hatch 1835 - 1889
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Toronto
01TO63977
In Circulation
-
1
Montréal
01MO63977
In Circulation
-
1
Vancouver
01VA63977
In Circulation
-
1
Calgary
01CA63977
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)