In terms of human development, within the last century we have undergone huge changes to our living conditions and we are only just beginning to see how our bodies may or may not adapt. Living in a big city is comparable to a science experiment—It may be detrimental to our health. While many people are familiar with environmental issues around sustainability, many are unfamiliar with the impact that environmental sound can have on our health. There are many theories in both western and eastern sciences, medicines, and spiritual philosophies having both to do with the physical and the energetic bodies and how they are impacted by sounds.Living in Toronto and having family in Beijing, I began to think about how constant changes to landscapes and therefore soundscapes would impact human physical, mental, and energetic health. How do highly transient human populations constantly adjust to their soundscapes and what impact is that having on our bodies over the long term?to-BEI-ron-JING-to mixes soundscapes that I have recorded, musical ideas from a variety of genres, and original composed material into one postmodern collage that confuses time and space. The first recorded biophonic sounds are heard from Cicadas at Shenlu (??—Road to Heaven) which contrast with many other anthrophic sounds (human sounds) which may or may not have any form of organization. The soundscapes were captured in summer of 2013 in Beijing and winter of 2014 in Toronto and they collide in a whirlwind of chaos where the live performers (erhu and piano) must constantly adapt and adjust. This musical experiment emulates the day-to-day sonic experiment that we as humans continually experience.