Canadian Music Centre | SydneyEnterprise (Final)
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Trio for percussion
RSN:
62666
|
Composition Date:
2008
|
Revision Date:
N/A
|
Duration:
Not Provided
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 7110 C473tr
Genre
Percussion Solo / Small Ensemble
Material Type
Print-music
Acquisition Date
2010-05-17
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Additional Information
3 Percussion: Percussion 1: A hard sheet of metal hit with beaters. A sheet of sandpaper can be used for the rubbed sound near the middle of the work. Alternatively several big knives wrapped in a thin cloth, placed on a hard surface and struck with a beater of some kind can be employed. Experiment with different sounds for the accented notes. Percussion 2: 4 tin cans or other metallic and/or resonant objects of distinct sizes from small to large. There should be 4 distinct pitches. Hit with a beater of some kind. Percussion 3: 22” or similar sized bass drum head, resonating another body. This other body could be a bass drum, or a piano. harp or tam tam for example. Strike with a gong or bass drum mallet. Note that the bass drum head should not come into contact with the other body. Experiment with the resonance of this other object.
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
4 parts ([12] p.) ;
1 score (11 p.) ;
Instrumentation
Found 1 record(s)
Available Actions
Set No.
Category
Instrument
Number
33843
Percussion
Percussion
3
Divided
No
Solo
No
Premiere
13/04/2009 Denton Hall Wolfville, Nova Scotia Jonathan Bailey, Denis Martin & Casey Vaasjo Under the direction of Mark Adam
For Mark Adam and the Acadia Percussion Ensemble. Trio is based on an abstraction of integer based rotational arrays. Numeric values representing rhythmic cycles are used to generate almost all material, except for the last minute or so where the temporality becomes less diffused and more regular in its pulse. These particular rotational arrays are also similar to the idea of beat-class-sets in that the rhythms correspond to a definitive pulse of eighth notes, accented at various points depending on the rotation. The work is in three large sections, each separated by refrains. Inserted between phrase units are tuplet and quintuplet figures which play out later in the work to create several metric modulations.
Commissioned by: Mark Adam, Acadia Percussion Ensemble
Found 16 record(s)
1
2
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Calgary
04CA62666
In Circulation
-
1
Montréal
02MO62666
In Circulation
-
1
Calgary
03CA62666
In Circulation
-
1
Toronto
03TO62666
In Circulation
-
1
Vancouver
01VA62666
In Circulation
-
1
Montréal
01MO62666
In Circulation
-
1
Toronto
04TO62666
In Circulation
-
1
Montréal
03MO62666
In Circulation
-
1
Toronto
02TO62666
In Circulation
-
1
Vancouver
02VA62666
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)