Canadian Music Centre | SydneyEnterprise (Final)
Hello, Guest
Add As Favorite
Language
Log out
Viewing Library Collection
Copy
Request
Views
OPAC Composer Showcase LibCol View
OPAC Mobile LibCol View
OPAC Search LibCol View
Circulation
Add to Favourites
My Favourites
Select
/
Clear
favorite
Add
/
Remove
Create a New Favourites List
Add
Flüsse-Einflüsse [accordion]
RSN:
59934
|
Composition Date:
2005
|
Revision Date:
N/A
|
Duration:
00:07:00
Share this record
Email
Library Record
Programme Notes
Cataloguing Information
Call Number
MI 2610 G38fl
Genre
Keyboard, Accordion, One Keyboard, Two Hands
Material Type
Print-music
Acquisition Date
2008-10-20
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
I. Flussaufwärts
II. Flussabwärts
Accordion
Master Location
Toronto
Loans
Borrow a copy of this work by adding it to your
Loan Requests
and then submitting your Loan Request to CMC.
Purchase
Click Here
to purchase this work online.
Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (6 p.) ;
Instrumentation
Found 1 record(s)
Available Actions
Set No.
Category
Instrument
Number
31031
Other
Accordion
1
Divided
No
Solo
No
Premiere
21 April 2005 Weill Recital Hall New York Ina Henning, accordion. DAAD fellows gala performance.
See Also
61707, Flüsse-Einflüsse, AR2615, Aaron Gervais, 00:05:56
Flüsse-Einflüsse is German for "Streams-Influences". The concept of the convergence of multiple streams of influence is important to me, because I am a classical composer coming from a jazz and pop background. Similarly, the 2004/2005 DAAD Sound Understanding concert for which Flüsse-Einflüsse was written featured both classical and jazz performers. This idea of multiple streams converging is carried throughout the piece on several levels, from the material (taken from two of my favourite jazz tunes but reworked classically), to the interaction between performer and composer (some sections are written out, others are improvised), to the interaction of registers, textures, and formal elements.
Commissioned by: Roger D. Moore
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)