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Dreamzone for flute, clarinet in Bb, violin, trombone, piano & double bass
RSN:
71232
|
Composition Date:
2016
|
Revision Date:
N/A
|
Duration:
00:06:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 8645 T882dr
Genre
Mixed Chamber Ensembles (1 to 9 Performers), Sextets, Woodwind(s) / Brass, Keyboard(s) / Bowed String(s)
Material Type
Print-music
Acquisition Date
2016-07-19
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Commissioned by Red Note New Music Festival
Master Location
Toronto
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (25 p. ) ;
Instrumentation
Found 6 record(s)
Available Actions
Set No.
Category
Instrument
Number
51172
Woodwinds
Flute
1
51172
Woodwinds
Clarinet
1
51172
Strings, bowed
Violin
1
51172
Brass
Trombone
1
51172
Keyboard
Piano
1
51172
Strings, bowed
Double bass
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
7 April 2016, Illinois State University, Normal, Illinois, U.S.A. Ensemble Mise-en: Maria Johnson; flute, Evan Runyon; bass, Mark Broschinsky; trombone, Yumi Ito; clarinet, Molly Germer; violin, Yumi Suehiro; piano
See Also
76590, Dreamzone, AR3345, Roydon Tse, 00:06:08
Dreamzone
is a short one movement work for sextet that explores the fragmentation and transformation of a melodic gesture. When thinking of ideas for this new work for Ensemble mise-en, I had for no particular reason the 3rd movement of Poulenc’s Flute Sonata (1957) trapped in my head in a perpetual loop. For a long time now, that piece has been one of my favorites in the flute literature having heard it in one of the first concerts I attended in the UK. Titled ‘Presto Giocoso’, it is a gay (as in happy) and rhythmic rondo in 2/4. I was attracted to the movement by its liveliness, and sought to incorporate into my new piece.The piece begins with a direct quote from the Flute Sonata (1957), taking the first two bars and scoring it for the full ensemble. From then onwards, I subject the material to fragmentation and transformation, introducing various dissonances and distortions as the piece goes on. When the piece ends, there is no longer anything left that reminds us of the original quotation. The title Dreamzone alludes to the sense of flux and blurring that happens throughout the piece, with unexpected outbursts and interruptions that border on the chaotic.Written for the 2016 Red Note New Music Festival Composition Workshop
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Montréal
01MO71232
In Circulation
-
1
Calgary
01CA71232
In Circulation
-
1
Vancouver
01VA71232
In Circulation
-
1
Toronto
01TO71232
In Circulation
-
1
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