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One voice for flute
RSN:
50343
|
Composition Date:
1991
|
Revision Date:
1991
|
Duration:
00:10:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 5111 H899on
Genre
Solo Flute / Piccolo
Material Type
Print-music
Acquisition Date
1998-02-27
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Melissa Hui.
Photocopy; master copy in CMC Toronto.
For flute.
Duration: 10:00
Commissioned by Patricia Monson.
Premiere: Apr. 19, 1991, Sprague Hall, Yale University, CT.
Master Location
Toronto
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score ((10) p.) ;
Instrumentation
Found 1 record(s)
Available Actions
Set No.
Category
Instrument
Number
22492
Woodwinds
Flute
1
Divided
No
Solo
No
I composed this set of three pieces while I was learning to play the flute from Patti Monson at Yale University. I found that all manners of extended techniques, including pitch bends, whistle tones, multiphonics and cross-fading between registers, came so much more naturally to the novice flutist than any traditional flute technique. It occurred to me then that learning to play the Western flute the "correct" way involved training to eliminate from one's playing those very properties of the flute's tonal and timbral palette which were intrinsic to the instrument and to which I was most attracted. In this work I wanted not so much to exploit extended techniques than to make use of the instrument's entire range of colors. It was the result of time spent not practicing what I was supposed to.
J’ai composé cette série de trois pièces pendant que je suivais des cours de flûte auprès de Patti Monson à l’Université Yale. J’ai découvert que toutes les nouvelles techniques contemporaines, y compris les hauteurs déformées, les sons sifflés, les sons multiphoniques et la fusion des registres venaient beaucoup plus naturellement au flûtiste novice que la technique traditionnelle. Je me suis dit qu’apprendre à jouer de la flûte occidentale « correctement » supposait notamment apprendre à éliminer des sons et des timbres caractéristiques de l’instrument, justement ceux qui m’attiraient le plus. Dans cette oeuvre, je n’ai pas tant voulu exploiter les techniques de jeu moderne que faire appel à toute la palette de couleurs de l’instrument. La pièce est le résultat du temps passé à ne pas répéter ce que j’étais censée répéter.
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Vancouver
01VA50343
In Circulation
-
1
Montréal
01MO50343
In Circulation
-
1
Calgary
01CA50343
In Circulation
-
1
Toronto
01TO50343
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)