Canadian Music Centre | SydneyEnterprise (Final)
Hello, Guest
Add As Favorite
Language
Log out
Viewing Library Collection
Copy
Request
Views
OPAC Composer Showcase LibCol View
OPAC Mobile LibCol View
OPAC Search LibCol View
Circulation
Add to Favourites
My Favourites
Select
/
Clear
favorite
Add
/
Remove
Create a New Favourites List
Add
Event Horizon for violin, violoncello, piano and audio signal processing
RSN:
69715
|
Composition Date:
2014
|
Revision Date:
N/A
|
Duration:
00:12:00
Share this record
Email
Library Record
Programme Notes
Cataloguing Information
Call Number
MI 9205 R128eve
Genre
Chamber Ensemble with Electronics / Multi-Media, Keyboard(s) / Bowed String(s)
Material Type
Print-music
Acquisition Date
2015-06-08
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Commissioned by: Land's End Ensemble
Master Location
Toronto
Loans
Borrow a copy of this work by adding it to your
Loan Requests
and then submitting your Loan Request to CMC.
Purchase
Click Here
to purchase this work online.
Physical Description
Found 2 record(s)
Available Actions
Extent of Item
2 parts ([20] p.);
1 score (60 p.);
Instrumentation
Found 4 record(s)
Available Actions
Set No.
Category
Instrument
Number
49490
Strings, bowed
Violin
1
49490
Strings, bowed
Violoncello
1
49490
Keyboard
Piano
1
49490
Electronic
Computer / Live Electronics
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
5 August 2014, New Music Now IV, Ottawa International Chamber Music Festival, École secondaire publique De La Salle, Ottawa, Ontario. Land's End Ensemble: John Lowry, violin; Beth Sandvoss, violoncello; Suzanne Ruberg-Gordon, piano.
pulling the light -- escape velocity -- redshifted -- proper time -- singularity An “event horizon” is a boundary in spacetime beyond which events cannot affect an outside observer… a “point of no return”… the point at which the gravitational pull becomes so great as to make escape impossible… a phenomenon usually associated with black holes. The concept of energy at the horizon or the edge of our immediate grasp of time has been a motivating interest in a number of my compositional projects in recent years. It continues to provide impetus to explore movement, speed, transformation and process in many aspects of my music. In Event Horizon, various components of the phenomenon provide conceptual points of departure for each of the sections of the piece. The audio signal processing of the violin, violoncello and piano extends the exploration of both sound and time to the spatial and spectral attributes of the listening experience. Event Horizon was written for the Land’s End Ensemble of Calgary.
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)