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Death and lives of Pinocchio Part IV: The cricket dialoguesclarinet, percussion, violin, double bass
RSN:
61310
|
Composition Date:
2008
|
Revision Date:
N/A
|
Duration:
00:22:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MV 7110 C957de4
Genre
Opera - Complete Score
Material Type
Print-music
Acquisition Date
2009-08-07
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Movements
I. The Box
II. Lullabies
III. The Cricket Dies
IV. The Cricket Sings of Celestial Bodies and of Asking for Things on Them
Preview
Additional Information
Soprano Flute/ Piccolo Clarinet/ Bass Clarinet Percussion Violin Double Bass
Master Location
Toronto
Language
English
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (39 p.) ; 22 cm.
Instrumentation
Found 6 record(s)
Available Actions
Set No.
Category
Instrument
Number
32427
Voices
Soprano
1
32427
Woodwinds
Flute
1
32427
Woodwinds
Clarinet
1
32427
Percussion
Percussion
1
32427
Strings, bowed
Violin
1
32427
Strings, bowed
Double bass
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
09/05/208 Confederation Arts Centre Fredericton, NB Motion Ensemble: Helen Pridmore, soprano Karin Aurell, flutes Richard Hornsby, clarinets D'Arcy Gray, percussion Nadia Francavilla, violin Andrew Miller, Double Bass
"Pinocchio includes a complex web of moral questions. Critics have noted its antiauthoritarian tone, the contrast between wealth and poverty, and distaste for the hypocrisy of the judicial system. When a moralizing cricket - his external conscience - gets in his face, it gets squashed. Collodi's Pinocchio is more selfish and aggressive than Disney's toy boy. Eventually Pinocchio grows from an egoistic child, guided by the pleasure principle, into an adult who understands the feelings of other people. The psychological studies of the story include Freudian analysis of the puppet's nose - of course - and a Jungian approach to 'shadow' figures such as Lampwick.” -Petri Liukkonen The Cricket Dialogues is the fourth part of an in-progress opera with Pinocchio as its central character. In this part of the opera we come across Pinocchio hanging from a giant oak tree with a mouthful of coins. Pinocchio is a self-aware figure of mythology, who feels the need to understand who he is by questioning the different ways that people have presented his story. In a recursive fashion, somewhat reminiscent of the Kurosawa film Rashoman, Pinocchio revisits several versions of the cricket scene and tries to remember what really happened. Commissioned by: Motion Ensemble
Found 5 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Montréal
01MO61310
In Circulation
-
1
Calgary
01CA61310
In Circulation
-
1
Toronto
01TO61310
In Circulation
-
1
Vancouver
01VA61310
In Circulation
-
1
Sackville
01SA61310
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)