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Lock the Door, Swallow the Key for brass quintet, electric guitar, drum set and track
RSN:
70544
|
Composition Date:
2010
|
Revision Date:
2013
|
Duration:
00:15:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9262 L789lo
Genre
Works with Electronics / Multi-Media, Chamber Ensemble (2-9 Performers), Brass / Percussion, Plectral String(s)
Material Type
Print-music
Acquisition Date
2015-11-20
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Pour quintet de cuivres (1211), guitare électrique, batterie et bande. Batterie: Sizzle Cymbal, Ride Cymbal, Hi-Hat, Cabasa, 2 toms, Floor tom, Snare, Kick. La version originale de cette oeuvres est pour 18 musiciens (2010). Oeuvre déposée au CMC Québec. For Brass quintet (1211), electric guitare, drum and track. Drum: Sizzle Cymbal, Ride Cymbal, Hi-Hat, Cabasa, 2 toms, Floor tom, Snare, Kick. Original work for 18 piece big band (2010).
Pour voir la partition | To view the score
Master Location
Montréal
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Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 partition (vi, 44 p.) ;
Instrumentation
Found 7 record(s)
Available Actions
Set No.
Category
Instrument
Number
50385
Brass
Trumpet
2
50385
Brass
Horn
1
50385
Brass
Trombone
1
50385
Brass
Tuba
1
50385
Strings, plucked
Guitar
1
50385
Percussion
Percussion
1
50385
Electronic
Tape / Fixed media
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
24 février 2011, Merkin Concert Hall, the Kaufman Centre, New York;
Lock the Door, Swallow the Key draws its inspiration from the film of Stanley Kubrick - in particular his 1980 masterpiece, The Shining. The cinematography (including the beautiful, groundbreaking Steadicam work) and iconic images have always simultaneously attracted and horrified me. The Overlook Hotel, edged maze, room 237, the Gold Room, the Red Room, the significance of the number 12, even the patterns on the carpets and wallpaper informed the musical and structural content of the piece. While composing the work I also came upon the 2008 documentary Stanley Kubrick's Boxes, a fascinating look at the Kubrick's massive personal collection of memorabilia spanning his entire career. Director Jon Ronson personally shifts through the boxes (nearly 1000 of them), meticulously preserved and indexed by Kubrick, that had been remained unopened for decades. Ronson uncovers an unseen history of minutiae revealing the obsessive perfectionist that was Kubrick. By the end of his exploration Ronson admits to having found the ultimate quintessence of the auteur: the boxes themselves. He notes how well constructed the boxes are, perfectly aligned and aesthetically pleasing, and it is revealed that the boxes were designed by Kubrick. Kubrick was so unsatisfied with those available on the market – with their restrictive dimensions and glitches – that he instructed a company of box manufacturers to build them according to his precise specifications. The boxes (in keeping with Kubrick’s obsessive, fastidious nature) are a compartmentalized reflection of the director’s meticulous modus operandi. The clean lines, geometry, patterns and structures of Kubrick’s films appeared in every aspect of Kubrick’s life. The austerity of the box system and the borderline insanity it took to implement their use had a kind of beauty. It was his own little Overlook Hotel. Nicole Lizée Montréal, 2011 Original work commissioned by the Kaufman Center and Darcy James Argue's Secret Society (2010). This arrangement commissioned by Magnetude6 (2013).
Dans Lock the Door, Swallow the Key (2011), la compositrice Nicole Lizée explore différents aspects de l’œuvre cinématographique de Stanley Kubrick. La partition musicale entretient de nombreuses relations structurelles et non-référentielles avec des éléments symboliques du film The Shining (1980), tels que The Overlook Hotel, la chambre 237 et le nombre 12. La partition s’inspire aussi de Kubrick lui-même, et tout particulièrement son obsession à conserver et classer ses souvenirs dans des boîtes fabriquées sur mesure. À sa mort, le cinéaste avait accumulé plus de 1000 boîtes, parfaitement rangées et enlignées selon une logique d’ordre implacable, témoignant de sa pensée géniale à la limite de la folie. La version originale (2010) est une commande du Kaufman Center et du Darcy James Argue's Secret Society (2010). Cet arrangement est une commande de Magnitude6 (2013) .
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Toronto
01TO70544
In Circulation
-
1
Montréal
01MO70544
In Circulation
-
1
Vancouver
01VA70544
In Circulation
-
1
Calgary
01CA70544
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)