Canadian Music Centre | SydneyEnterprise (Final)
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Flocking filling tracking for flute, clarinet, piano, percussion,violin, violoncello,audio signal processing
RSN:
63103
|
Composition Date:
2006
|
Revision Date:
N/A
|
Duration:
00:20:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9251 R128fl
Genre
Chamber Ensemble (2-9 Performers) with Electronics / Multi-Media, Woodwind(s) / Percussion / Keyboard(s)
Material Type
Print-music
Acquisition Date
2010-08-20
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Filling I
Tracking I
Flocking I
Tracking II
Filling II
Tracking III
Flocking II
flute/piccolo, Bb clarinet/bass clarinet, violin, violoncello, piano, percussion, audio signal processing, 8 channel diffusion
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
1 score (69 p.) ; 28 cm.
6 parts ([96] p.) ;
Instrumentation
Found 7 record(s)
Available Actions
Set No.
Category
Instrument
Number
34362
Woodwinds
Flute
1
34362
Woodwinds
Clarinet
1
34362
Strings, bowed
Violin
1
34362
Strings, bowed
Violoncello
1
34362
Keyboard
Piano
1
34362
Percussion
Percussion
1
34362
Electronic
Computer / Live Electronics
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
04/03/2006, Pollack Hall, Montréal Ensemble Caput / Festival MusiMars (Schulich School of Music, McGill University) Conductor: Denys Bouliane
…flock and fill the line and circle with pulse, sway and spiral, track the wisp and flourish bound to the current, to the flow and curve of wind-thrust and wave-crash as past fills present… The work is based upon three concepts, actions or states: those of flocking, filling and tracking. Flocking is an example of emergence most readily observed in the movement of flocks of birds and schools of fish. In flocking, a complex global behavior arises from the interaction of simple local rules: the movement and character of one element has a direct influence only on neighboring elements, yet contributes to the overall character and movement of the whole. The second concept, filling, lends itself to both practical and metaphorical interpretations in the work. The vessels of time, space, spectrum, the ear and mind are “filled” in acts of construction and animation. Finally, the third concept, tracking, involves emulation, control, and the acts of leading and following. It is closely related to the actions of flocking and filling but implies subtly different relationships between time, material and action and serves as a linking function in the formal scheme of the work. These three concepts serve as controls of energy and gravitational forces in the work for movement, density, and register. They coordinate speed and gesture from a central point in space outwards (filling), from an outer configuration inwards towards a focal point (flocking), and for two points locked in a reciprocal force and action (tracking). The application of these concepts is especially evident in the spatial distribution of sound in the work, as well as in the variety of transformations to which the instrumental signals are submitted via digital signal processing. The concepts of flocking, filling and tracking are above all sources and mechanisms for formal design and creative impetus. Flocking Filling Tracking was commissioned by the Festival MusiMars and the Schulich School of Music, McGill University with funding generously provided by the Langlois Foundation.
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Vancouver
01VA63103
In Circulation
-
1
Calgary
01CA63103
In Circulation
-
1
Montréal
01MO63103
In Circulation
-
1
Toronto
01TO63103
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)