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Culture no.1 for harp, piano, and audio samples
RSN:
59605
|
Composition Date:
2005
|
Revision Date:
N/A
|
Duration:
00:09:30
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 9204 G38cu1
Genre
Chamber Ensemble (2-9 Performers) with Electronics / Multi-Media, Keyboard(s) / Plectral String(s)
Material Type
Print-music
Acquisition Date
2008-07-22
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Harp, piano and electronics (performed by pianist) SuperCollider software patch and audio samples. This patch will run on an Apple computer. Tape part must be requested, not held in library.
Master Location
Toronto
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Physical Description
Found 3 record(s)
Available Actions
Extent of Item
1 score (26 p.) ;
1 tape part
2 parts ((46) p.) :
Instrumentation
Found 3 record(s)
Available Actions
Set No.
Category
Instrument
Number
30877
Strings, plucked
Harp
1
30877
Keyboard
Piano
1
30877
Electronic
Computer / Live Electronics
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
28/01/2006 University of California at San Diego, Warren Music Studio A San Diego Sylvia Re, harp; Mary Barranger, piano
See Also
60190, Culture no.1, AR2503, Aaron Gervais, 00:09:33
This piece is the first in a series of three dealing with the ways that modern popular culture can inform Western art music. The impetus for the piece was a series of four unrelated samples (and one derivative sample) that play at various points in the music. In one way or another, the instrumental parts derive their material from these samples. Throughout, there is a conscious attempt to avoid certain hallmarks of the Western tradition, most notably: smooth transitions between material, elaborate ornamentation, obscuring of intent, non-essential complexity, and hierarchic interrelation of elements, to name a few. Instead, Culture no.1 focuses on: immediate and simple presentation of material; clarity of purpose; the highest possible degree of simplicity in the organization of material; and musical ideas that can live "in the moment", without the need to reference large sections of the piece on multiple levels. All of these are ways in which popular music tends to differ from art music in the aesthetic sense.
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Calgary
01CA59605
In Circulation
-
1
Toronto
01TO59605
In Circulation
-
1
Vancouver
01VA59605
In Circulation
-
1
Montréal
01MO59605
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)