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Third chamber concerto
RSN:
01150
|
Composition Date:
1983
|
Revision Date:
1983
|
Duration:
00:18:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 8940 K96th
Genre
Mixed Chamber Ensembles (1 to 9 Performers), Nonets, Woodwind(s) / Brass, ?
Material Type
Print-music
Acquisition Date
1988-03-14
Additional Information
Gary Kulesha.
For 2 oboes, 2 clarinets, bass clarinet concertante, 2 bassoons, and 2 horns in 3 untitled movements.
Commissioned by Chris Weait and the Toronto Chamber Winds through the Ontario Arts Council.
Duration: ca. 18:00
Master Location
Toronto
Purchase
Printed copies of this title are available from
Counterpoint Music Library Services
. Please contact the publisher directly.
Library Availability
This work is for on site reference only.
Physical Description
Found 1 record(s)
Available Actions
Extent of Item
1 score (46 p.) + 9 parts ([138] p.) ;
Instrumentation
Found 5 record(s)
Available Actions
Set No.
Category
Instrument
Number
21735
Brass
Horn
2
21735
Woodwinds
Oboe
2
21735
Woodwinds
Clarinet
2
21735
Woodwinds
Bassoon
2
21735
Woodwinds
Bass clarinet
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
David Bourque, bass clarinet, Toronto Chamber Winds, Gary Kulesha, conductor, Toronto, January 31, 1984
Gary Kulesha
Third Chamber Concerto
, 1983 Commissioned by: Toronto Chamber Winds, Chris Weait, music director, with the assistance of the Ontario Arts Council “a work of clever conceit and solid construction.” Robert Everett-Green,
The Globe and Mail
, January 29, 1999 “… through study and experimentation, the alchemist sought to transfigure that which is common and earthly into that which is sublime and transcendental. […] The bass clarinet functions as the alchemist, and the accompanying woodwind octet is divided into two quartets, each of whom have a different version of the same chord, one ‘perfect’ (2 oboes, one clarinet and one horn), with perfect fifths and fourths, and one ‘imperfect’ (one clarinet, 2 bassoons and one horn), with augmented and diminished intervals. These are heard immediately at the beginning, and the rest of the work presents the struggle between the two, with the alchemist attempting to fashion the imperfect into the perfect and occasionally losing control.”
Gary Kulesha
Third Chamber Concerto
, 1983 Commandée par : Toronto Chamber Winds, Chris Weait, directeur artistique, avec un soutient financier du Conseil des arts de l’Ontario « une d’œuvre de concept ingénieux et d’une construction solide. » Robert Everett-Green,
The Globe and Mail
, le 29 janvier 1999 « … à travers la recherche et l’expérimentation, l’alchimiste cherche à transfigurer ce qui est commun et terrestre en quelque chose de sublime et transcendantale. […] La clarinette basse exerce les fonctions de l’alchimiste; l’accompagnement à l’octuor à vent est composé de deux quatuors dont chacun assume une différente version du même accord : un ‘parfait’ (2 hautbois, une clarinette et un cor) avec des quintes et des quartes parfaites; et l’autre ‘imparfait’ (une clarinette, 2 bassons et un cor) avec des intervalles augmentés et diminués. Ces deux antipodes sont entendus au début de l’œuvre suivit d’un conflit entre eux, et l’alchimiste essaie de métamorphoser l’imparfait en parfait et perdant occasionnellement le contrôle. »
Found 24 record(s)
1
2
3
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Calgary
08CA01150
In Circulation
-
1
Toronto
01TO01150
Reference Only
-
1
Calgary
03CA01150
In Circulation
-
1
Vancouver
04VA01150
In Circulation
On Loan
1
Vancouver
07VA01150
In Circulation
On Loan
1
Vancouver
03VA01150
In Circulation
On Loan
1
Calgary
01CA01150
In Circulation
-
1
Vancouver
10VA01150
In Circulation
On Loan
1
Vancouver
11VA01150
In Circulation
On Loan
1
Calgary
06CA01150
In Circulation
-
1
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