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Four stills on evaporation in thirty-one fragments for string quartet
RSN:
59850
|
Composition Date:
2006
|
Revision Date:
N/A
|
Duration:
00:09:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 3134 G38fou
Genre
String Quartet (2 Violin / Viola / Cello)
Material Type
Print-music
Acquisition Date
2008-10-01
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
1 score (21 p.) ;
4 parts44) p.) ;
Instrumentation
Found 3 record(s)
Available Actions
Set No.
Category
Instrument
Number
30991
Strings, bowed
Violin
2
30991
Strings, bowed
Viola
1
30991
Strings, bowed
Violoncello
1
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
26/02/2007 University of California at San Diego, Warren Studio A San Diego Arditti Quartet: Irvine Arditti (vln1), Ashot Sarkissjan (vln2), Ralf Ehlers (vla), Lucas Fels (vc)
See Also
62916, Four stills on evaporation in thirty-one fragments for string quartet, AR2720, Aaron Gervais, 00:08:03
This piece reflects my ongoing interests in sectional forms, doing away with transitional material, and the challenging of aesthetic assumptions. There is no attempt to relate any of the materials of the piece over the large scale. Instead, I have focused on a broad gesture—that of a long diminuendo—that goes from beginning to end. Within that gesture are a series of thirty-one fragments, some with local relationships to adjoining fragments, some without. No structures or organizing principles have been used that are not immediately apparent to the ear, and each section is composed intuitively with regard to pitch, rhythm, tone colour, and phrasing. The piece also includes several theatrical elements, and is therefore best appreciated in a live performance.
Cette pièce traite de mon intérêt à long terme aux formes rompues et sans matériel transitoire, ainsi qu'à défiant les assomptions esthétiques de la communauté de musique nouvelle. Je n'ai fait aucun effort à relier les matériaux de la pièce sur le plan global. Au lieu de cela, j'ai visé sur un seul geste large, un diminuendo, qui est de la durée de la pièce entière. À l'intérieur de ce geste, j'ai installé une série de trente et un fragments, certains qui présentent des relations locales avec les fragments adjacents—et certains non. Aucune structure ou principe organisateur n'est employé dont l'effet n'est pas immédiatement évident à l'oriel. En plus, chaque section est composée d’une manière intuitive en rapport à la hauteur, le rythme, le timbre, et les phrases. Finalement, la pièce inclut certains éléments dramatiques et il est donc préférable de l’écouter en concert.
Found 20 record(s)
1
2
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Calgary
03CA59850
In Circulation
-
1
Toronto
05TO59850
In Circulation
-
1
Montréal
03MO59850
In Circulation
-
1
Calgary
05CA59850
In Circulation
-
1
Toronto
01TO59850
In Circulation
-
1
Calgary
02CA59850
In Circulation
-
1
Calgary
01CA59850
In Circulation
-
1
Vancouver
04VA59850
In Circulation
-
1
Vancouver
02VA59850
In Circulation
-
1
Toronto
02TO59850
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)