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Five reflective fragments for piano, percussion, and string quartet
RSN:
59805
|
Composition Date:
2006
|
Revision Date:
N/A
|
Duration:
00:09:00
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Library Record
Programme Notes
Copies
Cataloguing Information
Call Number
MI 8635 G38fi
Genre
Mixed Chamber Ensembles (1 to 9 Performers), Sextets, Percussion, Keyboard(s) / Bowed String(s)
Material Type
Print-music
Acquisition Date
2008-09-04
Library Collection Publisher / Label
Unpublished, printed by CMC / Inédit, imprimé par le CMC
Preview
Additional Information
Written for piano + pianist's voice with headset mic, percussion + percussionist's voice with headset mic, string quartet. Parts available for purchase. Includes staging diagram and performance notes.
Master Location
Toronto
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Physical Description
Found 2 record(s)
Available Actions
Extent of Item
1 score ((6), 39 p.) ;
6 parts ((97) p.) ; 28 cm.
Instrumentation
Found 6 record(s)
Available Actions
Set No.
Category
Instrument
Number
31007
Keyboard
Piano
1
31007
Percussion
Other percussion
1
31007
Strings, bowed
Violin
2
31007
Strings, bowed
Viola
1
31007
Strings, bowed
Violoncello
1
31007
Voices
Other voice
2
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Divided
No
Solo
No
Premiere
09/11/2006 Warren Studio A, UC San Diego San Diego Violins – Orin Hildestad, Chris Otto, Viola – Kim Empeno, Cello – Emily DuFour, Piano – Luciane Cardassi, Percussion – Fabio Oliveira Conductor: Harvey Sollberger
See Also
61739, Five reflective fragments, AR2618, Aaron Gervais, 00:09:56
Five Reflective Fragments is based on a sequence of very brief text fragments extracted from a much longer poetic work, entitled I Lost Everything by poet Sarah Lang: drove gun my head two hours Pasadena The piece always presents this series of word-units in order and without overlap. Each unit is spoken—not sung—at the beginning of a musical gesture, and always by the performer who is playing the gesture. Each unit is also repeated multiple times. I have decided on this approach in order to distance the text from any fixed narrative. The music instead provides a space for these language objects to be observed in, and in which the listener can choose to create or not create his or her own narrative. Presented in this monolithic manner and detached from the contextualization of language prepositions, Five Reflective Fragments sets up the opportunity for a kind of mythological reaction to develop around the preconceptions of the listener. The word-units combine with the music to create hints, but hopefully hints that will take each listener in a different direction.
Found 4 record(s)
Available Actions
CMC Location
Barcode
Copy Status
Circulation Status
Number of Copies
Toronto
01TO59805
In Circulation
-
1
Montréal
01MO59805
In Circulation
-
1
Calgary
01CA59805
In Circulation
-
1
Vancouver
01VA59805
In Circulation
-
1
SydneyEnterprise v4.4.0.28 - Canadian Music Centre | SydneyEnterprise (Final)